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tel: (0)20 7637 7441 email: info@mpag.co.uk Page 2 Page 3 |
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TITLE | SIZE | CONDITION | DATE | PRICE |
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ANNIE HALL | U.S. 1-sheet 27"x41" | Fine + linen backed |
1977 | £350 |
| Classic black and white design, typical of Allen's best posters from his peak years. | |||||
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THE ARISTOCATS | Australian daybill 13"x30" | Excellent | 1970 | SOLD |
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'The Aristocats' was the last project given the green light by Walt Disney before his death. It was greatly enhanced by the voices of Stirling Holloway and Phil Harris, the voices of Kaa and Baloo in 'The Jungle Book'. | |||||
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BATTLE IN OUTER SPACE | U.S. half-sheet 22"x28" style B. | V. Fine+ | 1960 | SOLD |
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The early 1960's were the last great years of American Sci-Fi film poster art. Toho Studios, creators of 'Godzilla', were the first to export Japanese cinema to a worldwide audience up until the industry-wide crash of 1972. | |||||
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BEDAZZLED | U.S. insert 14"x36" | V. Fine | 1967 | £125 |
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Wonderful image at top of Dudley Moore as Nun in sleazy bar, consoling himself with ciggies and whiskey. The film was sadly Cook and Moore's one and only true cinematic triumph. | |||||
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THE BEGUILED | U.S. 1-sheet 27"x41" | V. Fine - | 1971 | SOLD |
| Striking graphics for Don Siegal's unique Clint Eastwood Civil War psycho-melodrama. | |||||
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BIG WEDNESDAY | Spanish 1-sheet 27"x40 | Fine + | 1978 | £120 |
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The entrancing cinematography on the film was by Bruce Surtees ('High Plains Drifter', 'The Outlaw Josey Wales' and 'Pale Rider'). | |||||
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BILLION DOLLAR BRAIN | US 1-sheet 27"x41" | V. Fine - | 1967 | £95 |
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The Harry Palmer series crashes and burns in the hands of Ken Russell. Archetypal 60's British pop-art design though by Alan Aldridge, whose 'Beatles Lyrics' book illustrations and great album cover for The Who's 'A Quick One' are instantly recognisable. | |||||
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BLOW UP | Italian Photobustas 19"x27" | Excellent | 1967 | £various |
| Click on thumbnail image to see pictures and details of all the photobustas. The Italian paper is supreme on the film. | |||||
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THE BLUES BROTHERS | Australian daybill 13"x30" | V. Fine | 1980 | SOLD |
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Original release Australian daybill (later printings aren't full colour). The artwork, reserved for international release (though not in Britain), captures the spirit of the film far better than the photographic design. | |||||
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BULLITT | Original 8"x10" still. | V. Fine | 1967 | £150 framed |
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McQueen's co-star in the classic San Francisco police thriller Jacqueline Bisset was actually born in Surrey. 'Bullitt' was an important early role. | |||||
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CARRY ON COWBOY | Original Polish poster 23"x33" | V. Fine | 1966 | £225 Framed |
| American Westerns found an enthusiastic audience in the Poland, and designers were stimulated to produce some of their finest works. | |||||
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CARRY ON JACK | Original studio 10"x8" | V. Fine | 1963 | £120 Framed |
| Wonderful portrait of Kenneth Williams as the inaptly named Captain Fearless, with bonus of Hawtrey limp at the wheel. | |||||
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CLEOPATRA | Australian daybill 13"x30" | Fine | 1975 rerelease | £150 |
| Artwork by Howard Terpning, now famous for his Western paintings. Terpning also creating the artwork for 'Dr Zhivago'. Note this poster is for a roadshow release, in 'Todd-AO' widescreen. | |||||
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CRY DANGER | Australian daybill 13"x30" | Excellent linen backed |
1950 | £150 |
| Beautiful Noir litho, amongst the best ever made. Former song-and-dance man Dick Powell turned hard-boiled after starring in 'Farewell My Lovely/Murder My Sweet', still the best Raymond Chandler adaptation. | |||||
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DADS ARMY | Australian daybill 13"x30" | Excellent | 1971 | £145 framed |
| Scarce poster from the successful feature-length version of the immortal comedy series, which assembled the greatest cast of character actors ever seen in a British television comedy. | |||||
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DOWNHILL RACER | Australian daybill 13"x30" | V. Fine | 1969 | £145 framed |
| Excellent lithographic version of the acclaimed US artwork. | |||||
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ED WOOD | U.S. 1-sheet 27"x41" | Excellent | 1994 | £95 |
| Double-sided 1-sheet. Posters for Tim Burton's films are frequently a cut above most contemporary releases. | |||||
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ELVIS PRESLEY | Original 8"x10" press photograph | Fine | 1960 | £200 framed |
| Probably the most famous draftee in history. This rare original photo is from the 2 March 1960 New Jersey press conference the day after he left the army in Germany. Later in April began the timely filming of 'GI Blues'. The King was back. | |||||
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ELVIS ON TOUR | U.S. 3-sheet 41"x81" | Excellent linen backed |
1972 | £850 framed |
| The above - but nearly lifesize. Scarce and in unused condition. | |||||
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F FOR FAKE | British 20"x30" | V. Good linen backed. |
1976 First UK release |
£195 |
| Extremely scarce Double Crown poster by UK arthouse designers X3, silkscreen in black, grey and metallic silvers. Welles's brilliant conjouring trick of a film was to be his final completed statement on his art. | |||||
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FOR WHOM THE BELL TOLLS | Belgian 14"x22" | V. Fine Paperbacked. |
c.1950 | £175 framed |
| Beautiful poster for Sam Wood's 1943 classic Hemingway Spanish Civil War story. Stars Gary Cooper and Ingrid Bergman | |||||
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GIANT | US still 8"x10" | Fine | 1956 | £65 |
| Jett Rink strikes the black gold. | |||||
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THE GODFATHER | U.S. still 8"x10" | Fine | 1972 |
£85 framed |
| Good candid shot of Brando and Caan during the shooting of the wedding. | |||||
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THE GODFATHER, PART 2 | Italian double 'busta 36"x26.5" | V. Fine linen backed |
1974 | £650 Framed |
| No good posters for Part 2 were produced. This very scarce double-sized photobusta is the outstanding piece from the film. | |||||
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THE GODFATHER, PART 2 | U.S. still 8"x10" | V. Fine | 1974 |
£100 Framed |
| Dramatic image of Fredo and Michael's fateful and poignant conversation in Havanna. | |||||
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THE GODFATHER, PART 2 | U.S. still 8"x10" | Fine + | 1974 |
£85 Framed |
| Very interesting shot from the Havana section of the film. Either a deleted scene, or more likely a candid shot during filming. | |||||
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THE GODFATHER, PART 2 | U.S. still 8"x10" | Excellent | 1974 |
£85 Framed |
| Excellent family portrait - Fredo and wife wonderfully in character. Both films open with a grand gathering, both move from sunlit exteriors to dark interiors where power and corruption are played out in secret. | |||||
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THE GODFATHER, PART 2 | U.S. still 8"x10" | Fine | 1974 |
SOLD |
| Young Vito and Clemenza walk the teeming streets of Little Italy (doubled by 6th Street in the East Village). Coppola's recreation of this immigrant world was a tour de force, beautifully detailed and shot. | |||||
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GOLD RUSH | U.S. lobby card 11"x14" | V. Fine | 1942 rerelease |
£95 |
| Scarce card from very attractive reissue set. | |||||
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GUYS AND DOLLS | Belgian poster 14"x22" | V. Good | 1955 | £150 linen backed |
| Attractive re-working of the U.S. artwork. | |||||
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